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Shannon Rupp

“Could you love a cock that kills?” is the kind of line that has been getting a laugh since Chaucer made the pun and, as always, it drew whoops when battery opera worked it into their latest performance art piece, Spektator.

 The audience also howled when Jennifer Murray, kneeling, stuck her naked butt in the air in a pose so revealing it prompted a colleague to murmur: “Nice Brazilian!”

And spectators guffawed when, as the dead cock, Murray’s naked body was dragged off-stage.

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Barbara Ehrenreich's latest masterful book, Bright-Sided, opens with the most hopeful frontpiece I've seen in decades. "To complainers everywhere: Turn up the volume!"

Ehrenreich subtitles the book How the Relentless Promotion of Positive Thinking has Undermined America, and she investigates how the 19th century's faith-healing movement developed into today's pop culture tool for social control.

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Blacks protested Show Boat, Asians objected to Miss Saigon, so why-oh-why haven’t the Irish started a donnybrook over Lord of the Dance? It’s certainly tacky enough to constitute a national insult.

Despite a fellow critics’ claim that PBS is running a tape-loop of Irish tapstravaganzas, I had never seen Lord of the Dance. So I was in for a rude shock on opening night at General Motors Place.

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Depending on whom you talk to, the recent Tap Dogs show (featuring half a dozen buff and beautiful Australian men) is either injecting life into a moribund art or is just a lame excuse to watch sweaty beefcake. But it might be more accurate to describe the show as rock’n’roll tap, since it has all the charms – and limitations – of the music that inspired it.

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Parkview Apartments, the nondescript four-storey walk-up at 2255 Pandora in Vancouver looks fine from the outside, but it’s the sort of building where cockroaches aren’t nervous.

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The University of British Columbia is being sued by an Ontario-based author who claims the school breached a contract by failing to provide her with a safe working environment while she was Green College’s journalist-in-residence in fall 2004.

Green College is unique at UBC: a traditional-style residence with a good dining hall that is designed to bring a mix of interdisciplinary grad students, post-doctoral fellows, visiting professors, and visiting scholars together to exchange ideas.

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Ever since I saw the film Kate and Leopold, any invitation to dinner-and-a-movie has taken on a sinister tone.

K&L, which is currently topping the hot videos lists, is the latest in a growing roster of "dick flicks". You know what I mean: those romantic comedies that are marketed to women as chick flicks but often seem designed to insult us. Or worse: they reflect the way some man wants women to behave. In short, they could only have been dreamed up by some dick. Or, if it’s really bad, a committee of dicks.

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When John Alleyne took the helm at Ballet British Columbia (BBC) in 1992, he envisaged an innovative company that went beyond tutus and frou-frou. He promised a “contemporary classical” repertoire that showcased the world’s finest new choreographers and twentieth century masters -- and absolutely no Nutcracker. It’s absence was to be the symbol distinguishing BBC from more conventional troupes.

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The British Columbia Medical Association is criticizing Vancouver's Langara College for training the public in therapies that are "medically useless" and potentially harmful.

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A court has granted Ballet British Columbia's former artistic director the right to add his cancelled contract to the company's list of debts.

In a June 19 decision, Madam Justice Carol Ross of the Supreme Court of British Columbia ruled thatthe bankruptcy trustee, E. Sands and Associates, was wrong to disallow John Alleyne's claim for$142,784.92. The claim was based on his employment contract, which required 12 months notice orpayment in lieu of notice. The trustee argued that when Ballet B.C. terminated and rehired Mr. Alleyne,his damages were mitigated.

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